My previous post showing the definitions of different generations was in service of creating the chart below. This chart illustrates the “rise and fall” of generations across their lifecycle. As a new generation is born, it’s share of the population increases. Once a generations births have ended, there is a very long tail as people in that generation slowly die and new generations are born.
The data from the chart below comes from the U.S. Census bureau. I was able to use yearly population estimates from 1980 onward, but prior to 1980 the data comes from decennial Census PUMs data (hence why, for example, Gen X looks it starts in 1970–instead of 1965–and why the baby boomers have such an odd slope between 1960 and 1970). The Census Bureau does not publish birth year, so I estimated birth year (and thus generation) from age and year of estimate. There will thus ‘slop’ in my estimates but they should be close for my purpose here.
Generations is a very… imprecise… sociological concept. People just sorta look at a rough cohort of ages and say “yeah, you all are a generation.” Start and end points (as well as labels) just sorta coalesce out of the ether.
Nevertheless, they have their use and certainly are cemented in the popular imagination. I’ve been doing some reading on generations and really appreciated this diagram and article by Pew Research. But I wish it went a little earlier and a little later. So I made my owner version, *heavily* influenced by the Pew version.
Over the next few weeks1 I’ll be posting an deep-dive data analysis of Fugazi’s live performance history. Why? Why not. All the data is there and I was bored.
I probably saw Fugazi perform a dozen times. Attending college outside of DC during the early ’90s made it easy. They played a lot, and famously never charged more than $5 for a show (and most of the time I saw them the show was free). I saw them in small venues and big indoor and in the shadow of the Washington monument. And they were never boring.
Since 2011, Fugazi has made recordings of their shows available for download at https://www.dischord.com/fugazi_live_series. To date, playlists and recordings have been posted for 895 (85.4%) of all their shows. Across their entire career, Fugazi played 23,201 songs. In future blog posts, I’m going to analyze those performances. Again, for absolutely no good reason.
One idea that I had for the analysis was to use the dominant album colors for the visualizations. I’m not sure that’s actually going to work because several of the albums used very similar palletes (they certainly seemed to have liked their olivey greens). But it resulted in a kinda cool image, nonetheless.
I’m not sure why anyone would need or want it, but here’s my “Fugazi album color pallete” for reference.
cols <- c("13 Songs" = "#B60400",
"Repeater + 3 Songs" = "#313855",
"Steady Diet of Nothing" = "#703F13",
"In on the Kill Taker" = "#DFC370",
"Red Medicine" = "#797C57",
"End Hits" = "#776342",
"The Argument" = "#45787F",
"Furniture" = "#41242B",
"First Demo" = "#3C3D2B")
I placed fifth in a Kaggle competition. Seemed like a good time to finally start the blogdown blog I’ve been thinking about for a while. So here it is.
The Kaggle competiton was a blast. And required zero Machine Learning ability, which is why I had a chance to win! It was an data storytelling and visualization challenge based on their 2018 Machine Learning and Data Science Survey. My analysis focused on the gender divide in data science. You can see my entry here.
I’m planning on donating some of my winnings to a couple organizations that promote coding skills in under-represented groups. Right now I’m leaning towards: